Posted by: Raunika Sood Posted on: Wed 18 Jan 2012A director is chiefly responsible for how successful and watchable a movie is. From research work on a movie, to taking decisions about who stars in it, to scouting for locations... S/he has to worry about everything. For a movie like Avatar, it took James Cameron years to find the right technique to create the wonderful world of the Na’vi. VFX, short for ‘Visual Effects,’ went a long way in making the film a trailblazer of sorts in the world of animation. To make the Na’vi as realistic as possible, faces and bodies were ‘rigged’ – connected to computers, which made the mythical creatures simulate human movement. A lot of photographs and scans of real actors were used and these details were incorporated into the digital characters. It was Cameron’s movie throughout, but more than 900 people across different locations got together to make it the science fiction epic that it turned out to be.
Posted by: Raunika Sood Posted on: Wed 18 Jan 2012A director is chiefly responsible for how successful and watchable a movie is. From research work on a movie, to taking decisions about who stars in it, to scouting for locations... S/he has to worry about everything. For a movie like Avatar, it took James Cameron years to find the right technique to create the wonderful world of the Na’vi. VFX, short for ‘Visual Effects,’ went a long way in making the film a trailblazer of sorts in the world of animation. To make the Na&rsq
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A children’s movie could be an animation film, like the Lion King or Aladdin, or a blend of both animation and real-life filming like the trendsetting Who Framed Roger Rabbit, or a simple story about a child’s life like Vishal Bhardwaj’s The Blue Umbrella and Amole Gupte&rs
A children’s movie could be an animation film, like the Lion King or Aladdin, or a blend of both animation and real-life filming like the trendsetting Who Framed Roger Rabbit, or a simple story about a child’s life like Vishal Bhardwaj’s The Blue Umbrella and Amole Gupte’s Stanley Ka Dabba.
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